Press Play recently posted a new video essay I created on Satan in cinema along with a brief text essay.
Here's the beginning of the text essay, should you need some enticement...
The character of Satan seems far more appealing to filmmakers than the character of God. This may be for reasons of propriety: one should not, perhaps, make too many images of God. But since when has Hollywood cared about anything other than money and stardom? God isn’t any good for either. Omnipotence is just too boring.(Continue reading and viewing at Press Play.)
There are devils in most films, because most films are melodramas of one sort of another, and no melodrama works very well without some embodiment of evil. But Satan himself (or herself or theirself or anyself — Satan, like every angel, fallen or not, is any gender and every gender) is a less common figure. One of the most powerful Satanic representations in film history wasn’t even technically of Satan: it was Mephistopheles in Murnau’s Faust, still one of the most visually interesting portrayals of satanic power.
The problem with portraying Satan is that it is difficult to capture the full horror he is supposed to be capable of.