School of Rogue

While listening to this interview with the great and glorious Werner Herzog, I learned of Herzog's Rogue Film School. It has some guidelines I thought more workshops might want to emulate:
  • The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.

  • Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?

  • Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.

  • Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.

  • Related, but more reflective, will be a reading list: if possible, read Virgil's "Georgics", read Hemingway's "The Short Happy Life of Francis Macomber", The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo "True History of the Conquest of New Spain"

  • Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.
The description on the front page is marvelous as well:
The Rogue Film School is not for the faint-hearted; it is for those who have travelled on foot, who have worked as bouncers in sex clubs or as wardens in a lunatic asylum, for those who are willing to learn about lockpicking or forging shooting permits in countries not favoring their projects. In short: for those who have a sense for poetry. For those who are pilgrims. For those can tell a story to four year old children and hold their attention. For those who have a fire burning within. For those who have a dream.

Popular posts from this blog

"Stone Animals" by Kelly Link

Never Let Me Go by Kazuo Ishiguro

The Penny Poet of Portsmouth by Katherine Towler

Reflections on Samuel Delany's Dark Reflections

What Belongs to You by Garth Greenwell

"Loot" by Nadine Gordimer

The Snowtown Murders