The Mumpsimus

I began writing this while attending Readercon 32, an annual convention I've been attending for a while. (I hope to do an Archive Dive post about that soon.) Saturday morning, I went to a phenomenal panel discussion of Sylvia Townsend Warner as a fantasist. This was, in fact, a panel I proposed myself, though I did not notice it on the list when I signed up for panels, or I would have volunteered, so I was tremendously pleased to see it on the schedule — I had feared the topic was seen as too niche. I'm actually glad I missed the sign-up, because the panelists were all knowledgeable, thoughtful, and a joy to listen to. I really would have had nothing to add. I will share a few of the insights from the panel discussion, but first want to provide a quick overview of why I think Warner is important and then some updates about the availability of Warner's books in the US and UK (with the demise of The Book Depository, I'm less certain of availability for other countries). ...

  "Barry was not one to invest in answers. It was the questions that pulsed in his body and propelled him forward no matter where he traveled in the world." —Debra Gwartney, "Fire and Ice"   Barry Lopez died on December 25, 2020, shortly before January 6, 2021, which would have been his 76th birthday. Of course, that date two years now lives in infamy, a day of insurrection in the United States. Within the next few months, a little book I wrote in the wake of that day will be published: About That Life: Barry Lopez and the Art of Community . (It was originally scheduled to come out this past fall, but the publisher got a little backed up.) It will be published as an open-access book with a Creative Commons License by Punctum Books, so the PDF will be freely available and the paperback will be as affordable as possible. I will have more to say about the book when it is released. I want to note Lopez's birthday today, however. Of the people I have met in my life, ...

  Robin McLean is one of the coolest people I know. Not only a smart, sharp writer, she has also, as her official bio says, "worked as a lawyer and then a potter in the woods of Alaska before turning to writing". She has lived in all sorts of places, done all sorts of things. And somehow she managed to get no less than J.M. Coetzee — J.M. COETZEE — to blurb her first novel. Not just blurb it, not just say "Robin McLean is a writer to watch" or something like that, but to say, "Not since Faulkner have I read American prose so bristling with life and particularity." (If I were Robin, I would have a hard time not wandering around town saying, "Hi. J.M. Coetzee compared me to Faulkner.") Coetzee isn't the only one who has noticed her. Of Pity the Beast , Karen Russell said, "Robin McLean writes scenes that feel as vibrant, terrifying, and wondrous as your most adrenalized memories. Her country is never merely the backdrop for human dram...

  In the 1960s, James Purdy’s writing was celebrated by such writers as Gore Vidal, Dorothy Parker, Tennessee Williams, and Paul Bowles. His first novel, Malcolm , was adapted as a Broadway play by Edward Albee. In 1964, Susan Sontag said that “anything Purdy writes is a literary event of importance”. On the cover of Tony Tanner’s 1971 study of contemporary writers, City of Words: American Fiction 1950-1970, Purdy’s name is prominently written alongside Joseph Heller, Saul Bellow, and Philip Roth; Tanner argues that Purdy’s 1965 novel Cabot Wright Begins is “one of the most important novels since the war.” Through the rest of the 20th century, Purdy published a new book every year or two, but those books garnered fewer and fewer reviews, sold fewer and fewer copies, and by the end of the 1980s much of his work was out of print and his new writings were published by small presses. Even as queer writers—especially white gay male writers like Purdy—were finding success with mainstr...

Banner image for Geoffrey Goodwin's Facebook page   Geoffrey H. Goodwin was a writer, a bookseller, a friend. He contributed here at The Mumpsimus in the early days, starting with a conversation about Hayao Miyazaki's film Howl's Moving Castle , which we saw together in Cambridge, Massachusetts when it was released in 2005. Geoffrey then contributed two interviews: one with Thomas Ligotti , another with Jedediah Berry . We had planned for Geoffrey to do more interviews and guest posts, but other commitments pulled him away. His final contribution here was to our Delany Roundtable in 2014. 2014 turned out to be a disaster year for Geoffrey. A car accident caused by a drunk driver brought significant physical and mental injury to him. His later years were extraordinarily difficult. His later years. Yes, Geoffrey is gone now, his death reported as cardiac failure , the failure of the literal heart of a person with, in the metaphorical sense, an extraordinary heart. It is ap...

  This short essay about John Keene's story collection Counternarratives was first published at the Emerging Writers Network site in May 2017. That site seems a little buggy these days, so for the sake of archiving the essay, I am copying it here. Counternarratives remains for me the most impressive story collection by an American writer published in the 21st century.   KEENE SENTENCES   The stories of John Keene provide an aesthetic to push against the power of the cultural forces that venerate quick, easy thinking; forces that reduce knowledge to soundbites and hottakes and quick! mustread! breaking! stories, enforcing a compulsory presentism that is little more than mass amnesia — and self-aggrandizing mass amnesia at that. It’s a prose aesthetic to fight against any impulse insisting life here and life now is the most, the best, the worst, the only. His 2015 collection Counternarratives — easily one of the most invigorating English-language s...