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Showing posts with the label women

VIDA at AWP

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One of the most interesting discussions I saw at the AWP conference was one sponsored by VIDA , with editors and writers talking about the results of VIDA's 2013 count of female and male writers in various publications. This year, they were able to offer a particularly revealing set of graphs showing three year trends in book reviewing at major magazines and journals. The only report of the discussion I've seen so far is that of VIDA volunteer Erin Hoover at The Nervous Breakdown  (although I'm sure it was covered by Twitter when it happened). Hoover gives a good overview of the panel and the issues. I took lots of notes, so will here add some more detail to try to show how the discussion went. After introductory remarks by moderator Jennine CapĂ³ Crucet, the first responses were made alphabetically by last name, and so two men began: Don Bogen , poetry editor of The Cincinnati Review , and Stephen Corey , editor of The Georgia Review . Bogen noted that, ins...

Legitimate

Here's an important post from Atlantic senior editor Garance Franke-Ruta regarding Republican U.S. Senate candidate Todd Akin's repugnant comments about pregnancy rarely occurring from "legitimate rape" (just typing those words makes my hands shake). Franke-Ruta makes the important point that Akin is not an outlier in the world of anti-abortion zealots. His ideas are connected to those that seek to distinguish between "forcible rape" and something else. Such dangerous delusions are central to so many of the misogynistic and ignorant tenets of the anti-abortion movement and to the sorts of ideologies that seek to downplay the frequency of sexual assault and defund the institutions that attempt to address sexual violence: Arguments like his have cropped up again and again on the right over the past quarter century and the idea that trauma is a form of birth control continues to be promulgated by anti-abortion forces that seek to outlaw all abortions, ev...

Readercon 23

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  Last week's Readercon was among the best of the many I have attended, for me at least. Inevitably, there wasn't enough time for anything — time to see friends, time to go to all the various panels I had hoped to go to, time to mine the book dealers' wares... Nonetheless, it was a tremendous pleasure to see so many friends and acquaintances again, as well as to be immersed in such a vibrant community of people who love to talk about books. I've been on the Programming Committee for Readercon for the past two years now, which changes my experience a little bit, because I find myself paying closer attention than I did before to how the panels end up working in reality (after we on the committee have puzzled over their possibilities for a few months) and to how people on the panels and in the audiences respond to them. (Note: We're actively trying to expand the invitation list to Readercon. If you have any names to suggest [including yourself], please see here f...

"Why We Oppose Pockets for Women"

Here's a fabulous article by Lili Loofbourow from The Hairpin that presents excerpts from a book she discovered on Project Gutenberg, Are Women People?   It's full of awesomeness, but the Delany-ologist in me particularly liked this bit about pockets: Why We Oppose Pockets for Women by Alice Duer Miller 1. Because pockets are not a natural right. 2. Because the great majority of women do not want pockets. If they did they would have them. 3. Because whenever women have had pockets they have not used them. 4. Because women are required to carry enough things as it is, without the additional burden of pockets. 5. Because it would make dissension between husband and wife as to whose pockets were to be filled. 6. Because it would destroy man's chivalry toward woman, if he did not have to carry all her things in his pockets. 7. Because men are men, and women are women. We must not fly in the face of nature. 8. Because pockets have been used by men to carry ...

Suffrage and Race

Over at Daily Kos, Denise Oliver Velez has posted a helpful overview of the complex history of civil rights struggles in the U.S. , particularly the 19th century. Just as the abolition movement spawned a struggle for women's suffrage, and the civil rights movement was the impetus for both second wave feminism and LGBT rights, the historical role of black women in the context of the suffrage movement is a key to understanding the founding of black women's clubs, sororities and political organizations. That history also explains the roots of the racial contradictions of second and third wave feminism and the development of black feminism. She goes on to discuss the rift between Frederick Douglass and some of the most prominent white women's suffrage activists after black men were enfranchised, as well as some of the later conflicts and complexities -- a history that had some eerie resonances during the 2008 election (for a good account of which, see Rebecca Traister's...

Narrative, Politics, and Sexual Violence

A post by Timmi Duchamp first brought to my attention a now-infamous article in the New York Times , "Vicious Assault Shakes Texas Town" , which reports on a gang-rape of an 11-year-old girl by 18 men of varying ages -- from early teens to 27. Timmi described the article as being chiefly concerned with the rapists rather than their victim, and I must admit that at first, being in a particularly optimistic and naive mood or something, I thought, "No, there's got to be some mistake -- the Times  wouldn't let something like that through, would they?" They would. They did. It's a nauseating article. Timmi nails it, and so do Mary Elizabeth Williams in a Salon piece, "New York Times's Sloppy, Slanted Child Rape Story" , and Mac McClelland at Mother Jones with "The New York Times' Rape-Friendly Reporting" . Perhaps the most vivid proof that James C. McKinley, Jr's reporting for the Times  for this story is rotten come...

"The War of the Sexes" and "The Queen Bee"

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Here are links to PDFs of a couple of old science fiction stories that may be of interest to some folks. (Both, as far as I have been able to tell, did not have their copyrights renewed and so are in the public domain; I'll get rid of the links if I discover otherwise.) "The War of the Sexes"  by Edmond Hamilton was first published in the November 1933 issue of Weird Tales  and reprinted once, in the version I have a PDF of, in The Avon Science Fiction Reader , no. 1 , in 1951. It's a terribly silly story, bad in just about every conceivable way, and pretty hilarious because of it. "The Queen Bee" by Randall Garrett was published in the December 1958 issue of Astounding  and has never been reprinted as far as I can tell. It is not even remotely hilarious. I found it, in fact, quite disturbing to read. It is a revolting story, a representation of a sick male fantasy made "necessary" by circumstances. (I suspect Joanna Russ may have had the s...

Periodic Table of Women in SF Meme

It's Friday -- time for a fun internet game! By now you might have heard of the marvelous Periodic Table of Women in SF [that's science fiction/fantasy, not San Francisco, and you really should watch the video at the bottom of the post that that link brings you to].  A new meme has broken out about it, one I learned about from Cheryl Morgan : Bold the women by whom you own books (I’m assuming this includes books or magazines edited by people who are not fiction writers). Italicize those by whom you’ve read something (short stories count) *Star those you don’t recognize [note: I've encountered so many names in my life, I always feel like I recognize most.  The ones I've starred are ones that, if somebody mentioned them in conversation, would cause a profoundly vague expression to come over my face.  And I'm doing this quickly, so I hope I don't star anybody who I not only recognize, but have spent actual time with...] And below the jump, you'll find my a...

Susan B. Anthony, Abortion, and Sarah Palin

Ann Gordon and Lynn Sheer respond to Sarah Palin and the Susan B. Anthony List's fabrication of history: For nearly 30 years, both of us have been immersed in Susan B. Anthony's words -- Ann as the editor of Anthony's papers , Lynn as the author of a biography . We have read every single word that this very voluble -- and endlessly political -- woman left behind. Our conclusion: Anthony spent no time on the politics of abortion. It was of no interest to her, despite living in a society (and a family) where women aborted unwanted pregnancies. The [Susan B. Anthony] List's mission statement proclaims, "Although [Anthony] is known for helping women win the right to vote, it is often untold in history that she and most early feminists were strongly pro-life." There's a good reason it's "untold:" historians and good journalists rely on evidence. Of which there is none. via Ta-Nehisi Coates

Alice Munro and the Case of the Chekhovian Dames

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[update: for some reason I originally attributed the New Republic article discussed below to Ruth Gordon rather than Ruth Franklin.] I adore (adore, I tell you!) the stories of Alice Munro, as anybody who's looked at my bookshelves can attest, and I adore (adore, I tell you again!) the stories of Anton Chekhov, who actually takes up considerably more space on my shelves, but that's just because he wrote hundreds of stories, a bunch of plays, and all in Russian, which means, of course, that I absolutely must own every possible translation just to be able to compare. Anyway, I discovered ( via Scott ) that  Ruth Gordon Franklin over at The New Republic has claimed that Munro just writes about women and Chekhov didn't do this and why won't this Munro woman explain herself, eh?  Writing primarily about men is just fine, everybody does that, no need to comment, but writing primarily about women is ... "not necessarily a flaw".  It would be understandable if ...

Manohla Dargis on Women in Hollywood

Manohla Dargis may be my favorite mainstream film reviewer -- it's not just that she's got great perception of cinema as an artform of its own (too many reviewers treat movies like they're illustrated novels), but she's also an extraordinarily talented writer, one of the few film reviewers I'm happy to read simply for her sense of language and prose structure within the newspaper review form. Plenty of writers' expressive abilities have been deadened by the demands of writing multiple 800-1000-word reviews week after week, but Dargis still turns in more energetic and thoughtful reviews than not, and it's an impressive feat. In a recent issue of the Times , Dargis wrote an essay about women in Hollywood . The commercial American film industry remains an astoundingly sexist enterprise, and the sexism is systemic, as Dargis shows. Even if you think you know how bad the situation is, the statistics are breathtaking: Only a handful of female directors picked ...

Jury, Meet Peers

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Lizzie Skurnick: "I just want to say," I said as the meeting closed, "that we have sat here and consistently called books by women small and books by men large, by no quantifiable metric, and we are giving awards to books I think are actually kind of amateur and sloppy compared to others, and I think it's disgusting ." (I wasn't built for the board room.) "But we can't be doing it because we're sexist," an estimable colleague replied huffily. "After all, we're both men and women here." But that's the problem with sexism. It doesn't happen because people -- male or female -- think women suck. It happens for the same reason a sommelier always pours a little more in a man's wine glass (check it!), or that that big, hearty man in the suit seems like he'd be a better manager. It's not that women shouldn't be up for the big awards. It's just that when it comes down to the wire, we just kinda feel like...