17 January 2012

Oneiric Realism


From a recently-unearthed interview with Pier Paolo Pasolini, conducted three days before he was murdered:
Have you bid farewell to the realism of your first features for good?

I don't agree with this. After 15 years in Italy, they finally showed Accattone on TV. We realized it is not a realist film at all. It's a dream, it's an oneiric movie.

Didn't they consider it a realistic film in Italy?

Yes, but it was a misunderstanding. When I made it, I knew I was doing a very lyrical film, not oneiric as it now seems, but deeply lyrical. I used that soundtrack and shot it in a certain way for a reason. Then what happened was that the realistic world I drew inspiration from for Accattone disappeared; it is no longer there, so the film is a dream of that world.

Mamma Roma is realist…

Mamma Roma is more realistic than Accattone, maybe. I should watch it again. It is less accomplished, less beautiful and that's because it is less dream-like.

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