The pose of Bolaño-the-poet may well be more important – and certainly more powerful – than the fact of the poems themselves, but what might be most useful here is to note the whole notion of Bolaño posing. The unifying – indeed distinguishing – element of these poems, written in a post-Beat free verse that might be closest in English to Lawrence Ferlinghetti or Ray Bremser, is the consistency of the pose: the intellectual as tough guy but one who is, at all moments, hard as nails & deeply sentimental. Think of upper limit Jean-Paul Belmondo in the films of Godard, lower limit Charles Bukowski (not as Mickey Rourke so much as Johnny Depp or, had he lived, Heath Ledger). Imagine Kerouac mixed with Camus.
05 February 2010
Bolaño and the Poetic Pose
Ron Silliman on Bolaño's poetry: