The Book of Imaginary Beings by Jorge Luis Borges

While I have at least one copy of nearly everything by Jorge Luis Borges that has been translated into English, I never managed to get a-hold of The Book of Imaginary Beings -- in fact, though I'd see reference to it, I had never even seen a copy. I certainly enjoyed the online version, but though Borges's work often lends itself well to hypertext, I still prefer to read it on paper, bound in a book. It's somehow more Borgesian to read a physical artifact that can collect dust and smudges.

Thus, I was elated to hear that Viking/Penguin was bringing out a new edition of The Book of Imaginary Beings, translated by Andrew Hurley (who translated the Collected Fictions) and illustrated by Peter Sis.

I was about to write a review of the book when Michael Dirda's review appeared in the Washington Post and said just about everything I would have said, and more. (Dirda's far more knowledgeable about bestiaries than I am. You'd think that I'd know more, since a longtime friend of mine created the roleplaying game sourcebook GURPS Bestiary, but, well, much as I try to know everything, I must admit that there are some small tiny minuscule areas in which I am, shall we say, utterly ignorant.)

The book is a delight to read, a joy to dip into for a few pages, then put back on the shelf and, later, return to for a few more pages. It easily becomes addictive, though -- it's not difficult to say, "Oh, I'll just read one more entry, and one more, and..." until the book is exhausted, and you are, too. One of the marvels of the book is its eclecticism. It is not a comprehensive book by any means, and at times the choice of beings and the choice of information presented about them can seem almost random, like a raid on a library rather than a research trip. Personally, I prefer that approach to a vaster one, at least in this instance, because it makes the book feel like a conversation with a slightly dotty, but utterly engaging, old scholar.

There is a useful note by the translator at the end that explains some of the history of the book's various editions, and some new notes have been provided to show Borges's textual borrowings. Some of Borges's own interpretations of the history and mythology seem as imaginary as the beings, which is part of the fun, but the notes are helpful for people who want to parse the balderdash amdst the balderdash.

One thing Dirda points out that also occurred to me is that we don't know from the material provided in the book what Margarita Guerrero's contribution was -- the title page lists the book as by Jorge Luis Borges "with Margarita Guerrero", but we tend to speak of the book as if it were Borges's own, I expect because he's the renowned writer. (I'll try to do some research and see what I can uncover about the collaboration.)

I'll leave you with a tiny excerpt, one entry from the book:
Hochigan
Descartes tells us that monkeys could talk if they wanted to, but they have decided to keep silent so that humans will not force them to work. The Bushmen of South Africa believe that there was a time when all animals could talk. Hochigan hated animals; one day it disappeared, taking the gift of speech with it.

Popular posts from this blog

"Stone Animals" by Kelly Link

If Kelly Link isn't the best short story writer in the U.S., then she's the equal of whoever is. I first came to this conclusion a couple of years ago when I read her story "Lull" in Conjunctions: 39 , and I am absolutely certain of it now that I have read "Stone Animals" in Conjunctions: 43 . (Of course, I've also read her collection Stranger Things Happen , but, much as I admire it, nothing in that book is as breathtaking as the stories she has written since it appeared, particularly the two Conjunctions stories.) "Stone Animals" both employs and parodies the basic elements of suburban psychological realism, the sort of scaffolding John Cheever and so many other writers hung their words and laundry on: a family buying a house and moving into it, a father commuting to a desultory job in the city, a pregnant wife who is uncertain about her marriage, suspicions and allegations of adultery, existentially anxious children, a controlling b
Read more

Never Let Me Go by Kazuo Ishiguro

If you expect Never Let Me Go to be about cloning, you will be disappointed. If you expect to be able to read it as a logical science fiction novel, one that extrapolates an alternate world that makes sense, you will find much to grumble about. You will not be satisfied. You will be annoyed, even bored. You will have missed the point. Cloning is a MacGuffin that Kazuo Ishiguro uses to create symbolic situations and characters that coalesce in a powerful vision of life. The symbolism doesn't quite reach the level of allegory, because it's difficult to assign definite meanings to each scene and person, but nonetheless it quickly becomes difficult not to think about certain themes: mortality, love, fate, memory, art, nature. Each paragraph either illustrates or expands one of these themes. In the first half of the book, the ideas the novel personifies do not gain a lot of emotion, but by the second half of the book the characters have become familiar, their personalitie
Read more

The Penny Poet of Portsmouth by Katherine Towler

     Dawn again, and I switch off the light. On the table a tattered moth shrugs its wings.      I agree. Nothing is ever quite what we expect it to be. —Robert Dunn Katherine Towler's deeply affecting and thoughtful portrait of Robert Dunn is subtitled "A Memoir of Place, Solitude, and Friendship". It's an accurate label, but one of the things that makes the book such a rewarding reading experience is that it's a memoir of struggles with place, solitude, and friendship — struggles that do not lead to a simple Hallmark card conclusion, but rather something far more complex. This is a story that could have been told superficially, sentimentally, and with cheap "messages" strewn like sugarcubes through its pages. Instead, it is a book that honors mysteries. You are probably not familiar with the poetry of Robert Dunn , nor even his name, unless you happen to live or have lived in or around Portsmouth, New Hampshire. Even then, you may not
Read more

"Loot" by Nadine Gordimer

I've intended to write about Nadine Gordimer's very short story "Loot" for years, ever since I first read it in The New Yorker , and for some reason I actually thought I had written a post here about it.  I recommended the story to a friend a few days ago and intended to include a link to my post about the story when, after a bit of searching, I realized I'd never written the post.  Now I will fix that mistake. From the first sentence, "Loot" is a story about time and history, about legends and imagination.  "Once upon our time," it tells us, there was a Great Event -- the greatest earthquake every recorded, the greatest of all measured "apocalyptic warnings".  Not only is it a Great Event (indeed, the Greatest of such events), but it is ours: we possess it. The second paragraph details the effects of this greatest event of ours.  Most giant earthquakes at sea produce floods and tsunamis, but not ours -- our special earthquake d
Read more

Reflections on Samuel Delany's Dark Reflections

At the Los Angeles Review of Books , I have a new essay about Samuel R. Delany's 2007 novel Dark Reflections , which is about to be released in a new and slightly revised edition by Dover Books . Here's a taste: In many ways,  Dark Reflections  is a narrative companion to Delany’s 2006 collection of essays, letters, and interviews,  About Writing . In the introduction to that book, Delany says that its varied texts share common ideas, primary among them ideas about the art of writing fiction, the structure of the writer’s socio-aesthetic world both in the present and past, and “the way literary reputations grow — and how, today, they don’t grow.” The book is mainly, though not exclusively, aimed at aspiring writers. It provides some advice on craft, but it circles back most insistently to questions of value, and especially to questions of the difference between  good writing  and  talented writing  — and what it means, practically and materially, for a writer to shape a li
Read more

What Belongs to You by Garth Greenwell

Garth Greenwell's debut novel What Belongs to You  is one of the most celebrated and successful gay novels of 2016. Its success seems to me both odd and gratifying. It is a book that garnered the attention of the literati, and not just the gay literati, though it certainly has that (Edmund White blessed it with a blurb). It received praiseful notice from nearly all the major literary institutions in the U.S. (and elsewhere). It is a remarkable novel, but were I a literary agent or publisher, much of what makes the novel remarkable would have caused me to assume it would not sell very well and would find, at best, a niche audience. (This is perhaps reason #28,302 that it's good I'm neither a publisher nor an agent!) I don't know the sales figures for What Belongs to You , but it hit the LA Times  bestseller list for a couple weeks, got tremendous review coverage, and often seemed to be among the books of the moment — I traveled a lot during 2016, and nearly everyw
Read more

The Snowtown Murders

The Snowtown Murders  (aka Snowtown ) inevitably draws comparisons to another brutal and disturbing Australian crime movie, Animal Kingdom , with which it shares some general plot elements and stylistic moves (both films were shot by Adam Arkapaw ). But where  Animal Kingdom  shows one young man's struggle to stay innocent in a family of thieves and murderers, Snowtown  depicts the power of a small-time messiah to employ hatred as an excuse for torture and murder. Both films focus their narrative on a quiet (eventually traumatized) adolescent surrounded by monsters, but Animal Kingdom,  for all its virtues, is primarily a drama of demons and angels fighting for a soul, whereas Snowtown  is less allegorical, less schematic, and more deeply disturbing. (A more meaningful comparison than with Animal Kingdom  would be with  Henry: Portrait of a Serial Killer .) Though in some ways Snowtown  is the story of how Jamie Vlassakis goes from being an apparently gentle and unassuming t
Read more