The Mumpsimus

  1. Early in her new book, To Write As If Already Dead , Kate Zambreno notes that "Kafka's insurance firm was full of aspiring poets, a reminder that it is fairly commonplace to want to be a writer or poet. It is more unusual to stay a writer despite lack of status or outward success, to sacrifice sanity, sleep, positive well-being, health, to instead dwell in a life that is one of almost constant paranoia, oscillating between horror at invisibility and nausea at visibility." One of the things about Kate Zambreno's work that I particularly appreciate is the way it refuses to be positive and hopeful. (More than anything else, that's what links her to Jean Rhys , a writer she has frequently referenced overtly and covertly.) To Write As If Already Dead  makes the life of a writer seem just flat-out awful; it also makes the life of a mother seem flat-out awful. A mother who is also a writer? Sheer, unrelieved torture. Nevertheless, she persists. Zambreno's narrat